Theatre Of The Absurd

Martin Esslin coined Theatre of the Absurd to group together a substantial number of post-World

War II dramatic works that questioned realism and challenged the conventional dramatic form.'

There was no Absurdist movement, and most playwrights whom we consider Absurdists did not

identify themselves as such. Nevertheless, the designation is useful to begin thinking about their shared concern for what it means to be human in a time of social and political upheaval. You will be provoked to consider this central question as you learn more about the playwrights' dramatizations of habit, time, humour and suffering. The course will train you to close read Absurdist plays, and develop an appreciation for theirI destabilising effects on actors and the audience member. By the end of the course, you are expected to be able to differentiate between the social, historical,philosophical factors that affect the writing and production of absurdist drama. The seminar format will facilitate discussions as you share your reading, viewing, and performance/staging experiences with the class.

Course Content

The discomfort and frustration evoked by the Theatre of the Absurd force character(s) and the

audience to confront the question, "What does it mean to be human?" Each week, we will look closely at one play, and if a recording of a production is available, we will view snippets in class to give you an idea of how each play could be staged. You will also perform scenes from the play in 1, class. The course will provoke you to consider what it means to be human as we look closely at absurdist portrayals of habit, time, humour and suffering.